When I doodle – I draw flower based mandalas – I am not sure that what I draw can technically be called ‘scribbling absent mindedly’ – the drawings are not perfect designs that use accurate concentric circles or realistic flowers. I started drawing them when I moved up to Edinburgh . I was a bit bored , lonely and wanted to improve my hand eye co-ordination.
I have included examples of my circle obsession below in the form of doodles and photographs
That was three years ago – I have been doing some research because I wanted to be more reflective about my rather excessive output. I tend to draw my ‘doodles’ on trains and planes – during stressful family situations and watching thrillers and suspense programs on the TV. In fact I have had to restrict my out put because I was getting repetitive stress pains in my hands
Mandalas were first used in therapy by Carl Jung, who found that the act of drawing mandalas had a calming effect on patients while at the same time facilitating psychic integration.
Powerful and centring expression
Fascination with a circle
Instrument of self reflection
Spontaneity with which we create circles
Drawing a mandala takes you through a multi sensory path of processing
Colours that you use important and shapes can have meaning
Personal growth as a cycle
Analysing patterns in your life as a way to tap into my unconscious self
Mandalas can represent spiritual wholeness and the equilibrium of all cosmic and life forces of our world, symbolizing the totality, including the outer as well as the inner forces
Students who participated in drawing their own mandalas reported higher self- awareness, unbiased processing, and personal development, supporting the premisethat the mandala can be an effective tool for helping people facilitate greater self- awareness, and moving toward a higher level of psychological well-being.
Mandala is Sanskrit for magic circle.Used for meditation and contemplative purposes
Karen and Henderson, Robyn (2010)
A mandala ‘‘expresses the totality of the psyche in all its aspects, including the relationship between man and the whole of nature’’ (Jaffe, 1964. p. 266), and may be regarded as ‘‘an archetypal symbol reflecting the common neuropsychological inheritance of humankind’’ (DiLeo, 1983, p. 13). It also represents ‘‘the center of personality, a kind of central point within the psyche, to which everything is related, by which everything is arranged, and which is itself a source of energy’’ (Jung, 1959, p. 357).
For Jung and others, mandalas often symbolize the Self, and appear sym- bolically to represent the striving for individuation, wholeness, and psychological integration through the reconciliation and unification of opposites (Arguelles & Arguelles, 1972; Clarke, 1994; Edinger, 1992; Fontana, 1993; Jung, 1959; Moacanin
have found that the construction of mandalas – particularly when drawn spontaneously – may be useful in the individuation process. Indeed, ‘‘the mandala image is not only a symbol of wholeness and healing, but can be actively employed as a means toward that end’’ (Clarke, 1994, p. 139).
Research with infants conducted by Fantz & Miranda (1975) demonstrated that people are born with a desire to look at circles. Kohler (1992) also found that circles are more quickly perceived and recognized as meaningful. Children as young as two years of age draw circles, and by age three children begin assigning meaning to the circular forms they created (Kellog, 1967). Therefore, drawing mandalas taps into a child’s natural affinity for circles.
I was much struck the concepts around the striving for individuation and wholeness – I was amused that my ‘doodling ‘could be an active employment towards improving my wellbeing – I also liked the idea that we have a natural affinity for circles – means I am not as completely bonkers as I thought